Seems odd that after all these years of photo classes and my use of "toy" cameras that I haven't ever used a pinhole. Not that I didn't want to, it just seemed so limiting since you basically need a darkroom nearby. Now, I'm talking the box (or paint can) with a pinhole and a piece of photo paper in the back. That nice big paper negative. Well, I was lucky enough to sign-up for the last spot in a pinhole workshop at Gari Melchers home in Fredericksburg, VA. It was taught by Steve Griffin, a professor of Art at UMW and pinhole photographer. His favorite subjects include the beach scenes of Colonial Beach, VA. This is quite convenient since his studio (including traditional darkroom) is just blocks from the water. Anyway, he set up this make shift darkroom a kitchen and 11 of us walked around the grounds with our pinhole paint cans that Steve provided. It was an amazing experience! I am even more motivated to build my own and get the darkroom in my basement back to work. Here is my favorite catch of the day. I scanned the paper negative and positive and combined them as a diptych.
Want more information on pinhole photography? Check out the Pinhole Resource and Eric Renner's book "Pinhole Photography".
1 year ago